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Monday, August 24, 2026

September Art Workshop; Cittadella

    Just a couple of weeks away from my art workshop at CittAdella

                                    September 16 to 22



An oppurtunity to make art in the midst of the majestic Sibbillni mountains of Italy

You might choose to spend the entire week with us, or if you live locally, to  spend a day or two, or more and come and go as you please.

You will learn to work in acrylic ink or water color, to make mono prints from glass images and, most importantly, to work with other artisis in a friendly and supprtive amostphere

You will start your day with TaiChi and chi Kung

You will visit such mystical place as La Gola d'infornazio and the cascades of La Donna dal Ambro

And you will wonder at the sheer beauty of this hidden jewel of Italy

Daily tuition rates are E35 

Entire week E180

And if you would like accomodation at the centre, B&B costs from E45 per night, sharing

HOW TO BOOK YOUR PLACE

Email Michael  at micermice@gmail.com

Or telephone him on  (whaatsapp)  39 3283535358



Looking forwrd to seeing you in September

Michael Eldridge




Sunday, July 26, 2026

JACK and I

 It was 1979 and I’d arrived in San Francisco on  Fulbright scholarship.

I’d been working as a photographer in Uk with a new colour printing technique which I intended to continue with in the States; but alas, nowhere could I find the particular product, and worse that no one was working in any medium except back and white.

Except 
Asking around a guy in a photography told me there was a teacher at the San Francisco Art Institute who was dabbling with 

Monday, July 6, 2026

An Art workshop in the mountains of Italy

 



Mid summer's night has come and gone here in the Sibillini mountains, a night when a strange and fascinating ancient ritual is repeated, where young men climb up to the top of Mt. Sibilla for a rendezvous with young maidens,whose beauty is a wonder to behold and whose powers of enchantment and seduction are befitting of the fairies or witches (which they secretly are).



And thus follows a night of revelling and love which leave our young men in a delirium of exhaustion, waking at sunrise to find that their beauteous maidens have vanished from the mountain top.

Legend has it that, unbeknown to the young men, the maidens were in fact fairy creatures, half human and half goat, with goats legs, and that this is why they disappear before the break of day, to avoid their treachery being discovered.

And that they, before the coming of the following summer, give birth to girls with goats legs who almost immediately, magically, grow to maturity and beauty to then practise their fairy like powers readying for the next mid summers night revels.

The old Nature religions still flourish in this part of Marche and I could tell many a tale of healers who would be first call for folks with wounds or sickness; amongst even doctors, judges, caribinieari, builders, farmers, whoever, even those who had a curse put upon them (myself included)



I write this, not because I want to scare you, but because I want to send a tingle of awe down your spine to prepare you for Cittadella our creativity playground beneath the majestic mountain of Vettore; to inspire those of you who are searching for that artist within which has been yearning to be reawakened, or indeed, for practising artists who might like the idea of working with others in this extraordinary part of Italy: And maybe to look at their art and life in a fresh context.

https://www.michaeleldridgestudio.com/workshops/

On the site above you can also find  pages about my work and dozens of blogs I've written over the years of living here in Italy.

At the top left of each page there is a translation button to switch to Italian, should you wish



Sul sito sopra potete trovare anche pagine sul mio lavoro e decine di articoli che ho scritto durante gli anni trascorsi qui in Italia. In cima a ogni pagina è presente un pulsante di traduzione che permette di visualizzare il testo in italiano.

The workshop seminars and instructions are in English with a translator on board to translate simultaneously into Italian

I seminari e le lezioni si tengono in inglese, con un traduttore a bordo che traduce simultaneamente in italiano.

Be good to see you here in September,

Michael



Friday, June 5, 2026

About awakening the artist within

                                Cittadella            

                                  

In a couple of weeks time it'll be mid summer;

the night of which, here in the Sibillini mountains, a strange and fascinating ancient ritual is repeated, where young men climb up to the top of Mt. Sibilla for a rendezvous with young maidens.

whose beauty is a wonder to behold and whose powers of enchantment and seduction are befitting

of the fairies or witches (which they secretly are).

And thus follows a night of revelling and love which leave our young men in a delirium of exhaustion, waking at sunrise to find that their beauteous maidens have vanished from the mountain top.

Legend has it that, unbeknown to the young men, the maidens were in fact fairy creatures, half human and half goat, with goats legs, and that this is why they disappear before the break of day, to avoid their treachery being discovered.

And that they, before the coming of the following summer, give birth to girls with goats legs who almost immediately, magically, grow to maturity and beauty to then practise their fairy like powers readying for the next mid summers night revels.

The old Nature religions still flourish in this part of Marche and I could tell many a tale of healers who would be first call for folks with wounds or sickness; amongst even doctors, judges, caribiniari, builders, farmers, whoever, even those who had a curse put upon them (myself included)

I'm linking here a blog about Cittadella, our creativity playground beneath the majestic mountain of Vettore. It might inspire those of you who are searching for the artist within yearning to be awakened, or practising artists who might like the idea of working with others is this extraordinary part of Italy

https://www.michaeleldridgestudio.com/workshops/

On this site you can also find  pages about my work and dozens of blogs I've written pver the years of living here in Italy. At the top of each page there is a translation button which switches the text to Italian

Su questo sito potete trovare anche pagine sul mio lavoro e decine di articoli che ho scritto durante gli anni trascorsi qui in Italia. In cima a ogni pagina è presente un pulsante di traduzione che permette di visualizzare il testo in italiano.

Wednesday, July 9, 2025

PAINTINGS AND REELS

 


Galleries and studios are the traditional platforms for artists to show themselves and their art, along with websites and social media. It is a tiresome process and one which most often does little to soothe the ego (we all want to be recognised and loved, as artists)
But look at this

MoonArt Gallery is run by Nancy Biraschi and Luigi Lai who produce online analysis' of artists' work and who's reels are stunning and which indicate a sensitive and deeply felt understanding of the values and neccessity of contemporary art in its myriad forms


Thursday, February 6, 2025

About Art and Life

 

                                                  Painting, forest series; Mike Eldridge

A book well worth reading, 'the work of art' by Adam Moss. An eye opener for creative people

The author takes us through a convolution in a maze, a journey into what happens in the minds, actions, and the ups and downs of the processes of creativity. He tracks down and investigates and then interviews over a length of time, painters, sculptors, poets, writers, playwrights, chefs, dancers and in fact every type of creative person imaginable.

I read last week, coincidentally, from various sources, that when you look at a painting, in fact any form of creative art; that you are also looking into the soul of the artist; the very ingredients of what in every essence they are, as if these things are somehow ingrained inside, and are awaiting disclosure.

In fact, a lot of the stories in the book have made me laugh as they are almost all tragic and painful to read and I have had to put the book aside at times.

You can open the book at any one of the stories but in a circuitous way the are similar and all share something in common, they are about creative beings struggling with their own ghosts and phobias, almost as if they are at war with what they are trying to produce. But they don't give up and continue, continue, continue, until something in them shouts 'STOP!! They see, they recognise, that they have arrived and are surprised by what has been achieved.

Well, you know I always crack on about what the American artist and teacher Robert Henri wrote over a hundred years ago, that, 'The subject isn't to make art, it's to be in that wonderful state which makes art inevitable'. I was given a book by an artist friend a while back, 'The Creative Act' by Rick Rubin' And I've just picked it up to flick through it, and there on the very first page, is this very quote by Henri. Serendipitous; must mean something.

Most of the stories in Rick Rubin's book, I must add, are less grinding and more gentle. Because getting into that state of being that Henri wrote about, I have experienced, can also be found in the contemplation of nature, music, the friendship with other artists and the love of our friends and even spending quality time with our pets and animals. But also the eastern practices of meditation and Tai Chi, Ci Kung. And lots of other gentle things that nurture and quieten our restive controlling minds. My personal way is to wander around my studio looking at paintings, contemplating them,some from way back and listening to them and often finding one that was never finished, and dappling with white paint here and there, or splashing it with a colour, and, bingo, voila ! I'm in

My creativity workshops in Italy are of the latter kind.




In the meantime, wishing you all a fruitful and laughter filled year ahead on this auspicious day of Imbolc, the return of the light

Michael

michaeleldridgestudio.com

whatsapp +39 3283535358

email, micermice@gmail.com


Monday, November 11, 2024

On being an artist (pt 2)

 

About VG

I think it's rather wonderful that artists can travel back over 150 years to draw upon comments by the various impressionists (they never called themselves that),and show their relevance to creativity in our modern times.

If you ever have the opportunity to read 'Van Gogh The Life' by Steven Naifeh and Gregory White Smith, you will discover, within this meticulous and lengthy research, that we harbour so many myths about the artist that are completely untrue. It is fatuous to name them all and anyway you will discover them for yourself.

But there are a couple of things which interest me concerning his working methods which are relevant today, especially to artists who are also teachers of creativity; how to start and continue a painting, sculpture, poem, the construction of music or choreography in dance or theatre etc.

I remember going to Paris some years back to see a little exhibition of Vincents's letters to his brother Theo. They were translated into English and most of them made me laugh and cry in their sadness .

In one funny one, he moaned to Theo that he was forever being asked by folks how he started a painting.'But don't they know? Isn't it obvious? I just splash a colour over the canvas, let the paint dry for a couple of days, come back to canvas and take the image where it wants to go'.

This had a powerful effect to me and, incidentally, it is a method I use in my workshops to sidestep the fear of the empty white canvas. It is play, and draws upon the child in us.

Another surprise was that his famous landscapes were an amalgam of bits and pieces of various drawings he made during his wanderings; a hill, here, a town there, a sky however. So like Cezanne and Gaugin, he was an abstract painter. The images,orchestrated through him, are telling us a story that they want to convey.

So, by way of a (near) example, I am showing you above a painting I made a few days ago; incidentally during the days around the USA election, the continuing wars in Ukraine and the genocide in Palestine. It was not a story I'd conceived nor does it have any message I'd wanted to convey. It just arrived and I got (from somewhere) the instruction STOP, don't go any further (this is an important word for artists by the way (including Chefs)).

As is my practice, I sent it out to artist friends and other folks who's opinion I respect, and they each have seen something in the image.

As the American artist and teacher Robert Henri wrote over a hundred years ago

'A great painter will know a great deal about how he did it, but still he will say, 'How did I do it?' The real artist's work is a surprise to himself '

That sort of sums it up.......sort of...

Michael

michaeleldridgestudio.com